"It is true that Rodin's art makes overt reference to its own artificiality. When we say that his kind of realism was not seamless, we mean it: his sculptures often exposed the joint lines of the piece molds in which they were cast, as well as the "unfinished" marks of modeling and editing. Fragmentation and repetition functioned in the same way, as instances of the sculptor's processes made evident in his product. Rodin typically made "…showed first 75 words of 1457 total…

…showed last 75 words of 1457 total…This capacity places man, insofar as he feels himself to be a social being, into an often contradictory relation with those among his impulses and interests that are not preempted by his social character. In other words, the conflict between society and the individual is continued in the individual himself as the conflict among his component parts. Thus the basic struggle between society and individual inheres in the general form of individual life." ------------------------------------------------------------------------ **Bibliography**